DESIGN & LIFE



20190912174019建筑小旅 3

打开文化机构的社会维度

September 12, 2019 15:54

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20190428143712微信图片 20190428143553

梅丽小学腾挪学校

April 28, 2019 15:20

Note We are sorry that the english details are not fully available online at the moment. If you need more information, please contact us by szdc@szdesigncenter.org. Thanks for your understanding....

6 副本

Pang Wei: People's Park and People in Park

September 20, 2018 21:04

Do Chinese of this generation have environmental aesthetic language of their own and this era?

21 5

Dandelions Puffed Away, How Can Shenzhen's Art Soil Catch it?

September 20, 2018 20:56

"Whether it's in an art community, in an institution or in an organization, our attitude can play a role, and everyone has something to do in the trend."

10 副本 1

Li Baozhang: Urban Public Spaces That Fascinate Me

September 20, 2018 20:45

Public space must be pluralistic, carrying living, social and cultural functions, etc. Another attribute of public space is its inclusiveness. That is to say, such a space must meet the needs of the most vulnerable and disadvantaged group. It is not hard to understand. The so-called design for the powerful group is not permanent, each of us belongs to the vulnerable group in childhood, old age, illness and disability. Therefore, the public space designed for the disadvantaged groups is for everyone and is a "well-meaning and friendly community space under the view of full life-circle".

70

Nomadism And Settlement: Minimal History of Art Villages in Shenzhen

September 20, 2018 20:35

Doesn't Shenzhen need artists?

16 2

Trip to Dafen| Road to Cultural Industry of 4.2 Output

September 20, 2018 20:21

Here, art matches with market, and talent transforms into wealth.

16 3

Trip to Wutong Mountain| Shen Piji: There is No Art Here, No, There Is

September 20, 2018 20:04

Artists come, and then there are art villages.

13 副本 副本 1

Visiting Sculpture Exhibition at Park: You Can't Say that "My Feelings Are Superior To Yours"

September 20, 2018 20:07

Shenzhen Public Sculpture Exhibition is not a sculpture exhibition in the traditional sense. The space in which it is exhibited, the form of the work, the way of organization, and the design of public events can no longer be summarized by the concept of "sculpture". Unlike sculptors' independent creation, public art emphasizes regionality and openness. It addresses the history, environment and needs of the city and the community, and emphasizes the participation of the public. Public art places public participation and interaction on the most important position from the very beginning. It is precisely because these works are not the same as the urban sculptures that used to be that it also indicates the beginning of a change. - Excerpted from Introduction to the 4th Shenzhen Public Sculpture Exhibition held by Shenzhen Sculpture Academy